Sarah Knight Adamson is a member of the Broadcast Film Critics Association and a voting member for the Critics Choice Awards for Movies.

Sarah Knight Adamson and Jessica Aymond are both Members of the Chicago Film Critics Association

Film Rating Code:

★★★★ Outstanding Film- Run, don’t walk to the nearest movie theater.

★★★½ Excellent Film- Highly recommend seeing the film in a movie theater.

★★★ Very Good Film- Recommend seeing the film in a movie theater.

★★½ Good Film- Wait for the DVD, the film is still worth viewing.

★★ Wait for the DVD and proceed with caution.

★½ Wait for the DVD the film has major problems in most areas.

★ Can’t recommend the film.

The Zookeeper’s Wife (R) ★★★

Jessica Chastain stars in ‘The ZooKeeper’s Wife’ Photo Credit: Focus Features

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Posted in Film Review Podcast Archives, Hollywood 360, Movies 2017, Radio Podcasts, Reviews

Colossal (R) ★★★ Radio Podcast

Anne Hathaway stars in Colossal
Image credit: NEON

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Posted in Film Review Podcast Archives, Hollywood 360, Movies 2017, Radio Podcasts, Reviews

Colossal (R) ★★★½

Anne Hathaway stars in Colossal
Image credit: NEON

You’ve probably never seen a movie quite like this.

I adored Colossal. It’s my favorite film of 2017 so far. I want to campaign for it at every theater across the country. I want to shake people standing in line to buy tickets for [INSERT LATEST BIG-BUDGET SEQUEL HERE] and shout, “No! Don’t give those guys your hard-earned money! Go see this unbelievable, uncategorizable indie instead—you can thank me later!”

Coming to us from new studio NEON and Spanish writer/director Nacho Vigalondo is the story of Gloria (Anne Hathaway), an aimless alcoholic mess whose boyfriend Tim (Dan Stevens) finally gets fed up with her hard-partying ways and lack of ambition and kicks her out of his Manhattan apartment. So Gloria heads home and reconnects with childhood friend Oscar (Jason Sudeikis), who gives her a job at his bar.

As Gloria tries to get her life together and hold down her new waitressing gig, an otherworldly terror begins to wreak havoc halfway around the world in Seoul. A gigantic monster is trampling citizens and knocking over skyscrapers, and with each new attack, Gloria starts realizing she may somehow be connected to the beast’s actions.

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Posted in Movies 2017, Reviews

Gifted (PG-13) ★★★½

Mckenna Grace as “Mary Adler” and Chris Evans as “Frank Adler” in the film GIFTED. Photo by Wilson Webb. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved.

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Posted in Film Review Podcast Archives, Hollywood 360, Movies 2017, Radio Podcasts, Reviews

Life (R) ★★½

Ryan Reynolds as Rory Adams in Life
Photo credit: Columbia Pictures

A decent but forgettable thriller that adds nothing new to the Doomed Space Crew genre.

Are you a space scientist?

I’ll assume you’re not and proceed to ask you this: “Not being a space scientist, do you nevertheless have an opinion as to whether it would be a good idea to mess with a newly discovered life form from Mars that you’ve brought aboard your ship that’s growing at an unbelievable pace and, as one of your very smart crew members observes, is ‘all muscle, all brain, all eye?’” What’s that? You would NOT think that poking, prodding and otherwise annoying such a creature would be a good idea? OK. Then we’re on the same page.

One of the biggest flaws in Swedish director Daniel Espinosa’s (Safe House) Life, which follows what happens to the crew of the International Space Station after they discover the first evidence of extraterrestrial beings, is that lead biologist Hugh (Ariyon Bakare) seems to immediately throw all common sense out of the window and get emotionally attached to the thing they’ve brought on board, despite really REALLY glaring warning signs that the alien is highly intelligent. At least other people, such as Ryan Reynold’s wisecracking space mechanic Rory, attempt to talk some sense into Hugh. Olga Dihovichnaya’s Russian cosmonaut Katerina is another who stays level-headed when others lose it.

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Posted in Movies 2017, Reviews

Beauty and the Beast (PG) ★★★½

Emma Watson as Belle in Beauty and the Beast
Photo credit: Disney

This live-action remake may not be necessary, but it’s still a lot of fun.

I usually try to review remakes (or prequels or sequels, for that matter) on their own merit as standalone films, but it’s impossible for me to do so with Disney’s live-action remake of its 1991 animated take on Beauty and the Beast. I’ve had a 26-year love affair with that film: I’ve seen the stage version and the Disney Hollywood Studios version in Orlando, I have the DVD, I have Belle-themed dishes (that my 18-month-old daughter uses now, I swear) . . . and though I have no idea how many times I’ve actually watched the movie, it’s enough that I know every single word by heart.

You know the story, too, right? The Beast (Dan Stevens) was once a spoiled prince who was mean to an enchantress, and she got her revenge by turning him into a big hairy creature—and all of his staff into various objects. They’ll only be returned to their original forms if the Beast learns to love (and earn someone else’s love in return) before the final petal of an enchanted rose falls. Belle (Emma Watson) is from a nearby village and is eventually held prisoner in the Beast’s (Dan Stevens) castle after bargaining with him to let her father (Kevin Kline) go. The narcissistic Gaston (Luke Evans) is hell-bent on marrying Belle, and thinks if he can kill the Beast and rescue Belle, she won’t be able to refuse his proposal.

I’m happy to say that my knee-jerk reaction to this remake was positive. I loved seeing the story brought to life, I loved singing along again, and I was relieved that director Bill Condon (Dreamgirls, Chicago) didn’t ruin my memories of the “original” (I know the 1991 version isn’t really the original, but you get what I mean). But upon further reflection, I’m not sure how much of that reaction was due to the fact that I could still recite almost all of the film in my head (much of the dialogue is the same), that I will always love its songs (except for the new ones, which added nothing), and that Condon knows his way around a lavish musical. Beauty and the Beast looks spectacular—it’s gorgeous from beginning to end, whether Belle is belting out her desire for adventure in “the great wide somewhere” from atop a mountain, or being charmed by the many creatures in the Beast’s opulent castle.

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Posted in Movies 2017, Reviews

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