Sarah Knight Adamson is a member of the Broadcast Film Critics Association and a voting member for the Critics Choice Awards for Movies.

Sarah Knight Adamson and Jessica Aymond are both Members of the Chicago Film Critics Association

Film Rating Code:

★★★★ Outstanding Film- Run, don’t walk to the nearest movie theater.

★★★½ Excellent Film- Highly recommend seeing the film in a movie theater.

★★★ Very Good Film- Recommend seeing the film in a movie theater.

★★½ Good Film- Wait for the DVD, the film is still worth viewing.

★★ Wait for the DVD and proceed with caution.

★½ Wait for the DVD the film has major problems in most areas.

★ Can’t recommend the film.

T2: Trainspotting (R) ★★★½

The Boys are Back!

Is revisiting the zaniness of Trainspotting (1996) 20 years later worth the trip? (Pun intended.) I guess if you’re wondering if Renton, Sick Boy, Spud, or Begbie made the decision to “choose life,” then yes− checking in with these wacky, cultish characters will totally be a rewarding experience. It’s especially worth the trip if all of the same players are back, including the esteemed British director, Danny Boyle, and in this case, yep–homerun−all are back in T2’s lively sequel. You can only imagine my elation when I discovered I’d be in London in February, a full eight weeks before the opening here in the USA. I viewed the film on my birthday, February 11, at the Empire Theater in Leicester Square, where the film opened on January 19. Yes, it was an excellent day.

Empire Theater, Leicester Square London, England

Empire Theater, Leicester Square London, England

Being a huge fan myself of the original film, I was extremely happy about the sequel. However, how does one follow a film that so creatively defined the essence of the Brit-Pop “20-somethings generation” or, in this case, the “Peter Pan 20-somethings”? Boyle’s unconventional sharp lens gave us a wild, frantic ride by using the music of the time, a script driven by rebellious ideology, and one with hardcore drug use as an underlying theme, no less. Seriously, if any film warrants a “stand alone” status, unquestionably, Trainspotting fits the bill.

The Empire Theater in London Leicester Square. Beautiful! Sarah Knight Adamson 2017

Edinburgh does remain the setting in T2 (as it should), and it should also be noted that in 2004, Trainspotting was voted the best Scottish film of all time in a public poll. The film is ranked 10th by the British Film Institute (BFI) in the Top 100 British Films of all time. An impressive legacy indeed; it even demoted the inspirational Chariots of Fire (1986), which is best known for its opening scene of Olympic hopefuls running on the Scottish coastline of St. Andrews; the conditions are arduous, with wet sand and bare feet as waves break. Vangelis’ famous Academy Award-winning score “Tides” plays in the background as the runners glide in slow motion. In contrast, Trainspotting’s opening scene includes frenzied running at hyper-speed down Princess Street in Edinburgh by Ewan McGregor (Renton) and Ewen Bremner (Spud) while being chased by security guards just after robbing John Menzies Bookstore while Iggy Pop’s “Lust for Life” blares on.

T2’s opening scene views Renton running again, but this time on a treadmill in Amsterdam. Evidently, he’s surrendered to “life,” as he’s chosen to run artificially. Within minutes, in a hysterical scene, he clumsily falls off. There’s a re-visit to the original chase scene by Renton, and just like that, we are off to the races again. Read more…

Posted in Movies 2017, Reviews

Kong: Skull Island (PG-13) ★★★

All is not what it seems on Skull Island.
Photo credit: Warner Bros.

Kong: Skull Island is a blast.

Almost exactly a year ago, my husband and I ran around the Islands of Adventure theme park in Orlando. We passed by a large barricaded area surrounded by high fences and halfway covered by tarp; signs informed us that it was the future site of the Skull Island: Reign of Kong attraction. I remember thinking, “Hmm, they’re making a huuuuuge bet on a movie that doesn’t even seem like it’ll be a sure-fire hit.”

I don’t know if Kong: Skull Island will do well enough at the box office to justify its $185-million-plus production budget on top of a dedicated park attraction, but what I do know is that I went into the film pretty skeptical . . . and came out feeling like the Summer 2017 film season had just kicked off three months early. It’s directed by Jordan Vogt-Roberts, who is THE COOLEST (especially because he’s come to the Chicago Critics Film Festival twice, first for his wonderful 2013 indie The Kings of Summer and then for his hilarious 2014 documentary Nick Offerman: American Ham), but hadn’t ever worked on something of this scale, so I hoped against hope he could pull it off. Now we can count him as part of the growing trend of celebrated indie directors making the successful leap to tentpoles, along with others like Colin Trevorrow (Safety Not Guaranteed (one of my all-time favorites) to Jurassic World) and Gareth Edwards (Monsters, to Godzilla, to Rogue One). Kong is the definition of a great “popcorn movie”: an A-list cast, a familiar franchise, crazy action sequences, a huge budget that supports an exotic location and top-notch effects (which include tons of explosions, of course), a rockin’ soundtrack, nothing too deep to ponder over story-wise, and a couple of excellent one-liners thrown in for good measure.

I’m tempted to stop my review right there and be like, “Just go see it, you know the plot doesn’t even matter.” But I will carry on for those of you who remain as skeptical as I was.

Read more…

Posted in Movies 2017, Reviews

Table 19 (PG-13) ★★

‘Table 19″ stars Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow, Stephen Merchant and Renzo Eckberg. Photo Credit: Fox Searchlight.

Table This Film…For Good

Have you ever attended a wedding and ended up wanting to crawl into a hole because you were seated at a table with complete strangers? Despite an uncomfortable start, these situations often result in hilarious stories. Table 19, the comedy-drama written and directed by Jeffrey Blitz, banks on this situation being funny enough to sustain a movie. Although Table 19 is plated with potential, can it deliver the goods?

The film opens with Eloise (Anna Kendrick, Mike and Dave Need Wedding Dates, 2016) receiving a wedding invitation, which sparks a variety of emotions for her. One minute Eloise is vindictive and the next she’s sobbing. After much internal debate, Eloise draws an “x” on the RSVP card for yes, then crosses it out, then starts burning it and finally sends the half burnt piece of cardstock in the mail. 

Through an entertaining montage, we’re introduced to a number of other wedding guests including: Jerry and Bina (Craig Robinson, Sausage Party, 2016; Lisa Kudrow, The Girl on the Train, 2016) a married couple that seem to have lost their passion, Tony (Rezno Eckberg, Grand Budapest Hotel, 2014) a socially awkward teenager who is unlucky in the dating world, Walter (Stephen Merchant, Logan, 2017) a distant cousin who was recently released from prison and Jo Flanagan (June Squibb, Other People, 2016) the bride’s childhood babysitter. Although they all react differently to the invite, they are all surprised to be invited and respond ‘yes.’ You’re likely to correctly predict what’s to come… Read more…

Posted in Movies 2017, Reviews

Logan (R) ★★★½

Hugh Jackman stars as Logan/Wolverine in Logan. Photo Credit: Ben Rothstein.

Logan is the tenth X-Men movie . . . and might just be the best.

When I review a film from any franchise that has what might be described as “rabid fans”—be it Star Wars, Lord of the Rings, Harry Potter, or anything from the Marvel or DC universes—I feel the need to confess my level of fandom up front so that readers know where I’m coming from. In Logan’s case, I need to talk about where I stand on both X-Men and an entire genre: Westerns. The truth is that I’ve never been that into X-Men films. I’ve enjoyed most of them (I even liked Apocalypse more than most people, it seems), but I don’t get excited for them in the way I do about a new Star Wars installment, and I pretty much forget about them until the next one comes out. And Westerns have never been my thing. But the weird truth is that Logan could be described as director James Mangold’s attempt at an X-Men Western . . . and the even weirder thing is that it works fantastically.

The year is 2029, and Logan/Wolverine (Hugh Jackman) is some sort of Uber-like limousine driver. He’s bitter, grumpy, usually drunk, and also appears to be popping pain pills as his regenerative healing ability is failing and his leaking Adamantium skeleton is now slowly killing him. But his claws still work, and we get up-close and brutal proof of that in the opening scene, which sets the tone for the rest of the film. And that tone is dark, dark, dark. To the point where I was totally stunned at certain parts, thinking, “Wow, did they really need to do that?” So in case you’re wondering: no, don’t bring your kids.

Read more…

Posted in Movies 2017, Reviews

Oscar Blog-Part 4 Best Documentary, Best Original Screenplay, Best Visual Effects, Best Makeup & Hairstyling, Best Original Score, Best Original Song

Sarah Knight Adamson and Jessica DeLong Oscar Night 2014

Oscar Blog Part 4-Final Oscar Blog!

Wow, Oscar weekend 2017 is here! We are very excited over here at Sarah’s Backstage Pass, as this is a huge weekend for us! We love viewing the Academy Awards Show and especially love seeing it on the ‘Big Screen’ at the annual Variety the Children’s Charity viewing party.

We are in our 9th year emceeing and the 12th year of the event at Hollywood Blvd. Cinema. Come on out and join us as in Woodridge, IL on Sunday, February 26.  We are also excited to have Carmelo Chimera from Chimera Comics hosting right along with us. He’ll be testing your movie trivia and giving away prices. As always, our Fashion Police will be out in full force, checking out the glitz and glam attire.

Wait a minute…we also have a very special guest attending the Variety Charity Viewing Party Event…our own Chicagoland film star, Hayden Rolence the voice of Nemo in “Finding Dory” will be in attendance.

Sarah-Knight-Adamson and Hayden Rolence the voice of Nemo. June 2016

* BEST DOCUMENTARY O. J.: Made in America

Nominees: Fire at Sea, I Am Not Your Negro, Life, Animated, O. J.: Made in America, 13th

*BEST ORIGINAL SCREENPLAY Manchester by the Sea

Nominees: Hell or High Water, La La Land, The Lobster, Manchester by the Sea, 20th Century Women

*BEST VISUAL EFFECTS The Jungle Book
Nominees: Deepwater Horizon, Doctor Strange, The Jungle Book, Kubo and the Two Strings, Rogue One: A Star Wars Story

*BEST MAKEUP & HAIRSTYLING Suicide Squad

Nominees: A Man Called Ove, Star Trek Beyond, Suicide Squad

*BEST ORIGINAL SCORE La La Land

Nominees: Jackie, La La Land, Lion, Moonlight, Passengers

*BEST ORIGINAL SONG “City of Stars,” La La Land

Nominees: “Audition (The Fools Who Dream),” La La Land, “Can’t Stop the Feeling,” Trolls, “City of Stars,” La La Land, “The Empty Chair,” Jim: The James Foley Story, “How Far I’ll Go,” Moana

Complete Prediction List Hollywood Blvd. Cinema Oscar Ballot

Sarah Knight Adamson © February 24, 2017

Posted in Movies 2017, Red Carpet and Events, Reviews

Oscar Blog Part 3-Best Director, Best Original Screenplay, Best Cinematography, Best Production Design, Best Costume Design

Oscar Blog Part 3

*BEST DIRECTOR – Damien Chazelle, La La Land, Kenneth Lonergan, Manchester by the Sea (Should win)
Nominees: Denis Villeneuve, Arrival, Mel Gibson, Hacksaw Ridge, Damien Chazelle, La La Land, Kenneth Lonergan, Manchester by the Sea, Barry Jenkins, Moonlight

Damien Chazelle (La La Land) has an excellent chance of winning as he directed J.K. Simmons’s Oscar-winning role in Whiplash last year for Best Supporting Actor. Whiplash also won Best Editing, which is huge in terms of the over-all quality of a film. To follow-up with La La Land a blockbuster musical set in Hollywood is no small feat.
Regarding best directing, Kenneth Lonergan’s (Manchester by the Sea) characters were spot-on. He has a long, impressive history as an award- winning writer and an exceptional director. The mixing of dark themes with wry humor is not easy, and in Manchester, he’s hit a homerun with all three performances by Casey Affleck, Lucas Hedges, and Michelle Phillips. In this case, I feel strongly that he is the best director, but will probably lose to La La Land.

*BEST ORIGINAL SCREENPLAY- Manchester by the Sea

Nominees: Hell or High Water, La La Land, The Lobster, Manchester by the Sea, 20th Century Women

Writer-director Kenneth Lonergan (You Can Count on Me, 2000) and (Margaret 2011) is no stranger to crafting stories that are chock full of everyday dialog that succeeds in magnifying human nature while finding humor in the smallest of nuances. Those in the film business know that Margaret was held up for five years in court costs and lawyers fees due to differences between the studio and Lonergan’s final cut length. He was in serious financial debt when John Krasinski and Matt Damon, (producer of Manchester By the Sea), went to him with the original idea for Manchester by the Sea, and asked him to write the screenplay. This outstanding script took him three years to write.

*BEST CINEMATOGRAPHY—La La Land, Arrival could be the upset.

Nominees: Arrival, La La Land, Lion, Moonlight, Silence

Arrival is a terrific science fiction thriller that has challenging themes in terms of overall filming. Aliens, spaceships and outer space are always difficult to ‘get-right.’ Arrival has met and surpassed those filming difficulties. Its look is hauntingly beautiful, mysterious, dreamy, terrifying and most importantly believable.

La La Land’s filming needed to create a tribute to old Hollywood musicals yet have a modern look. This was accomplished by having a camera that is repeatedly moving, almost swirling, as it attempts to also mirror the characters inner conflicted psyche. The over-all look of this film is stunningly gorgeous.
My prediction is that La La Land will win.

*BEST COSTUME DESIGN – Fantastic Beasts and Where to Find Them, Jackie could be the upset

Nominees: Allied, Fantastic Beasts and Where to Find Them, Florence Foster Jenkins, Jackie, La La Land

BEST PRODUCTION DESIGN- Fantastic Beasts and Where to Find Them, La La Land could win



Nominees: Arrival, 
Fantastic Beasts and Where to Find Them, 
Hail, Caesar!
, La La Land
, Passengers

Best Costume Design and Best Production Design are two Oscar categories where earning a nomination for both is typically critical to a film’s chances of winning either. The degree of difficulty is very important in production design and costuming. Historical films, fantasy and or science fiction films usually have a greater chance of winning.

My favorite costume design this year was for the film Jackie. I love that Chanel look! The textures of the fabric were even a stand out.

I did love La La Land’s costuming and production design. Emma Stone’s bright yellow dress, set against a midnight blue sky is stunning. Not to mention that is my personal favorite color combination.

To me though, Fantastic Beasts and Where to Find Them is the more difficult film to dress as everything depends on the creativity of the production design and the costuming in terms of visually conveying a fantasy story. The images are the key components here. I’m rooting for this film to win both.

Sarah Knight Adamson© February 22, 2017

Posted in Movies 2017, Red Carpet and Events, Reviews, Uncategorized

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