Photos: Courtesy of Universal Pictures

Johnny Depp stars as the notorious 1930s Midwest gangster John Dillinger in Michael Mann’s latest film “Public Enemies.” Depp has stated that he finds pleasure in portraying characters that have a ‘lost soul’ quality about them. An apparent certainty indeed as John Dillinger had many demons.  Most definitely, the focus of “Public Enemies” is John Dillinger as the convicted gangster and America’s number one public enemy at the time. The script focuses on his legendary persona, his passionate love affair with Billie Frechette (Marion Cotillard) and the nation’s law enforcements relentless efforts to not only catch him, but keep him locked up. Christian Bale co-stars as Melvin Purvis and Billy Crudup as J. Edgar Hoover.

Charismatic, controlling, quick-thinking are the key components that make-up Dillinger’s psyche. His quest to outsmart authorities and continue his crime spree whilst living a fantasy life of normalcy is intriguing. The film starts in the middle of Dillinger’s chronicle, focusing on a very short length of time almost less than two years; from his parole in May of 1933, to his death, on July 22, 1934. This approach provides viewers with an in-depth look into the brass tacks of that time frame and explores the pulse of the nation.

If its historical time period films you crave, then this one’s for you as it’s been methodically researched and painstakingly re-created, down to the last rubber cobblestones that were glued down on the streets. Filmed in Chicago, Wisconsin and Indiana the authentic locations add to the genuine look and feel of the film. The Little Bohemia wooded shoot-out scenes and the Chicago Biograph Theater climax scenes are eerily brought to life. Mann and his crew did an astonishing job of not only physically re-creating the historical time but added other aspects to drive home the point. In terms of filming; the use of high definition hand-held cameras provides a sense of urgency and adds realism. Elliot Goldenthal's haunting musical score seals the deal as one is truly transported back to the 30s. Billy Holiday’s ballads create the perfect tone.

Beginning with a Dillinger jail break scene, the film starts out of the gate like a lightning bolt. Immediately viewers learn of ‘JD’s gang’ and its workings, as the focus is clearly on their leader. We also view the frustrations of law enforcement and clearly see their limitations. If a fugitive crossed state lines, typically they would go ‘scot-free’ as federal guidelines weren’t in place.  John Dillinger and his gang were an embarrassment to law enforcement. It’s no wonder that in the film, FBI director, J. Edgar Hoover tells lawyer Bale, “We need to take off the ‘white gloves’ regarding anyone that is involved with JD’s gang.” Later in the film when we witness the rough treatment of Marion  Cotillard’s character, we are not surprised; law enforcement officers were desperate to save face with the nation.

The film continues in a fast-paced fashion providing insight into the main character. Johnny Depp’s performance is top-notch. He employs a charming southern drawl and a smug demeanor to create an authentic personality.  Depp sings in the film which fans will enjoy, the song ‘Git Along Little Doggie’ as its used to portray the ‘country boy’ upbringings.  Without warning we also witness a controlling, fear-provoking criminal, as he interacts with his gang and anyone that dares cross him.

Near the end of the film, law enforcements officers close in as Billie Frechette is held in custody and the famous Biograph scene is recreated. I was informed that for decades JD’s seat in the Chicago Biograph Theater donned a plaque where he sat viewing appropriately a gangster film starring Clarke Gable on that fateful night.

Chicago natives will enjoy seeing the city recreated to the early 1930s; look for the Art Institute lions and the next frame which pans down a nearly empty Michigan Ave. I visited the set in Columbus, Wisconsin and was astonished by the detail ‘inside’ of the store-fronts. The dentist’s office was fully equipped and looked as though it could be open for business. The same was true of all of the down-town buildings. Local antique stores were used as resources as two blocks were totally transformed. Awnings were specially reproduced and rubber cobblestones were glued to the pavements. The local diner even had menus!

Bottom line a first-rate historical film recreated with meticulous detail and an all-star cast to recreate the characters in an entertaining way.

Sarah Adamson © 2009